I've been looking at Leaf's work in my essay as she mentored Suzie Templeton during the filming of 'Dog' and was also a visiting lecturer when Templeton was at RCA. I think that Leaf had some influence to the shot transitions in 'Dog' in how they transform from one to the next- mainly when the boy is curled up in the feotal posistion on his bed and then there's a cross fade to the father in the same position.
But i've just watched it again and noticed that its these transitions that are what i ment by the transition sin my Olympics Ident....
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